As I travel from city to city, country to country having
speaking engagements at schools, universities and on conference & seminar
panels, I have found that the current generation has one great misconception.
THE GAME IS TO BE SOLD AND NOT TOLD!
One popular school of thought is that the information on
this industry is so valuable that it should be expensive to obtain. This is a position easily taken by the many” seminar
hustlers”, conference organizers and independent business owners with
questionable practices who make a living on selling access.
These very same people now have a generation believing that
the entire entertainment industry is built on service organizations &
companies that care less about your project and more for your continuous monetary
payment. Their goal is to get you into a
contract where you are paying for services that have little or no effect upon
your career.
I want to tell you today about some changes that have
occurred without notice within the music business.
- RELEASE
DATE - Once upon a time this was a cherished word ultimately meaning that
a date had been planned when your music would be released to the stores
for sale. To make this happen there would be thousands of dollars spent in
marketing plans, sales programs, advertising and salaries. Tour expenses had been approved and the
artist probably al ready had a major budget video shot with airplay and TV
advertising run.
Today the Internet has made the
term Release Date virtually disappear by offering direct access to the
consumer. Most independent artists are
trying to get as many songs as possible in front of as many people as possible
so they can start selling themselves doing shows, merchandise and anything else
that can make them a living. Sales
programs have been regulated to the major 4 stores, Wal-Mart, K-Mart, Target
& Best Buy and this doesn’t even take into consideration iTunes and the
Internet.
- INDEPENDENT PROMOTER - This is a real lost to many within the recording industry. Here were the Kings & Queens of the record business. The people actually dealing directly with the radio station personnel and making the deals that would get records played, promoted on-air and eventually place the artist in the market doing a show. A good record promoter could command a 6 figure salary for themselves and a 7 figure budget for the promotion of the product. These were the Knights Templar of the recording business not only bringing airplay home to the major labels, but also being able to rectify problems between artists, labels and radio.
Consolidation, National &
Regional consultants, corporate advertising and governmental politics made this
job start to dry up. Add onto that the
unscrupulous individuals that take your money promise you a group of stations
or an individual radio station and then find reasons to say that you are at
fault for making the song NOT get played. The Independent promoter is now
history totally ineffective at creating radio spins on any major chain of radio
stations.
- RECORD
POOL –Pools were created to receive music FREE from the record labels and
charge the DJ’s to have access to the music. As part of the service of being the
mediator from streets to corporate the record pool had each one of its
members give written feedback on every song that they attained. For this the pool directors were treated
royally by the record labels, given trips, free admission to conferences,
and other perks.
This phrase has not disappeared
but only morphed into something entirely different than its original
context. Now record pools charge the
RECORD COMPANIES to place their music within the clubs of the specific
membership. Record pool directors and
upper echelon pool personnel have become quasi-Independent promoters and are
charging enormous fees to place music on radio mix shows and occasionally on
the air for a limited time. (Make it or Break it) This is really a travesty for many of these
people have no business acumen, formal training or scruples.
- CHARTS
– A sacred word among major label executives and a magical word for
independent record companies. Being
on the charts meant that you were popular, making spectacular sales and
probably had a record that was destined to give the artist the ability to
perform in regional and national tours.
The bible of the Industry was Billboard with R&R running a
close 2nd.
Chart position today is a farce at best, not signifying
massive sales. For example this week’s
#1 album in the country sold 166,000 a far cry from the weekly sales of over
600,000 common just a few years ago. The
#5 record on the Billboard Top 200 albums chart only sold 55,000 and has a
grand total of 551,749 for 18 weeks’ worth of sales. I don’t even know anyone outside of a major company
that evens subscribes to any of the trade magazines. But even more critical is the concept that
new artists still believe that if you are on the charts than you will get some
type of preferential treatment within the entertainment industry. There are now Chart Promoters that will take
your money and promise you position on a major record chart, even though you
don’t deserve anything. Please don’t
think that your record is the only “hyped” record on the charts and this helps
make the charts useless
The other school of thought remains rooted with tradition
and history claiming the industry information should be free so that our
offspring’s can learn faster with greater knowledge and less mistakes.
The actual cost of information sharing is getting lower and
lower all of the time. Years ago you
would have to find a conference or seminar to attend, pay your expenses, pay
admission and then research the people that you wanted to meet just so you
could sit with them and hear “first hand” the knowledge you desired. Follow up phone calls, mailings, and physical
trips kept you up to date and in tune with the industry. Today all you have to do is pick up an
electronic device, surf the web and immediately acquire information, contacts,
knowledge and opportunities.
Information is readily available in many different countries
and languages, what this generation seems to fail to recognize is the WISDOM to
know right from wrong and the ability to interpret the information for their
betterment. Because you want someone to
hear your music, pay you money, make you a career and all you do is perform, is
the primary reason you are destined for failure. Creating a true business environment that
includes a plan for growth using multiple revenue streams is a path to long
life.
Today I am telling you that this business model has changed
entirely.
People are interacting with one another at an alarming rate,
passing information, audio, video and business files around without any funds
being transferred globally. The ability
to reach your customer directly is causing a new business model and governments
plus private industry are adapting rapidly while many in the public sector
continue the 1980’s practices.
We once knew that you had to have a distributor to sell your
products. We put up with paying
distributors to ship, house, and even communicate with our companies. We signed contracts with distributors
allowing them to make advance money from our projects if they became a hit and
were “picked up” by major labels. This
was what we accepted and allowed as normal business operation.
The world’s largest distributor of audio & video
projects today is FACEBOOK.
In years past creativity was extraordinary, each individual
writer, musician, singer, dancer, film maker, painter, designer and more worked
on their craft and fashioned their distinctive individual style. A few
collaborations were developed but for the majority of the entertainment
products these collaborations were small (2-3person) units.
The majority of today’s creativity comes from the ability to
hear, see and read ideas from other people globally. We originally called it “sampling” or
“biting” but now it is the way of education world wide. Most of what I write
about comes from ideas already circulating on the web. Being an avid reader I am in tune with many
different people from different countries all speaking the same
inferences. We have become “people of
the screen” and millions of followers are looking at their screens daily. In todays market if you do not have a
website, can be Google and have a positive social media score than you are not
to be trusted or to do business with.
This is not my call, but the direction that society has taken. If you see a person online with negative
Google comments concerning their business or service, with no visible web
presence or with dislikes (thumbs down) on their Facebook account you leave
them alone. The public has the power to
make or unmake anyone just on the “thumbs up” rule.
The concept of Piracy has now changed into a new concept called
Motivation meeting Opportunity . If I have a copy of your movie and you decide
that only the people that pay you should see it, then I now have an audience
(MOTIVATION) that wants your product and since I have it available (OPPORTUNITY ) I can send it to them for FREE. A few readers just got mad, but this is file
sharing at its lowest level and millions of people are doing it daily. There is now an entire generation of teens
and young adults that will always believe the Internet is the source of FREE
information, video and music.
For years the idea of copyrights has bothered me, I know
that it is an archaic regulation. I have only seen it work when you have money
and power to use it . I have watched
the major labels, publishers, performing rights organizations and other groups
make BILLIONS of dollars, Euros, yen, pounds, marks or whatever your countries
currency is called based on copyright infringement regulations. Very few
original songwriters or original publishers make a portion of the huge profit
being generated by copyrights. The
Internet is changing the entire structure of copyright law worldwide, causing
problems and many different fixes.
The new school of thought expands of the concept of “User Licenses”
instead of mandatory copyright rules that the public ignores. A user license is an agreement between the
purchaser and the licensor for the right to use the product. This makes so much more sense when dealing
with the Internet and the download and uploading of files. In particular the End User Licensing
Agreement (EULA) is becoming more and more popular among originators of
entertainment products worldwide.
Today’s business needs open communication between users for
the flow of information to travel while the concept of keeping the information
until you get paid is DEAD. Many of you
will continue to think in this antiquated way, as for me I’m opening up my
business to interested people for FREE.
My open hand will receive more than your closed fist every day. I never said that I won’t get paid, but I
won’t wait to exchange information, files and business acumen on a perceived
payday.